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The regular 16/44.1 is more than plenty to accurately record them, and the file size is way smaller, which also shortens NR processing time greatly. Sorry, vinyl fans- I love 'em too, but vinyl barely has even a 60 dB S/N ratio, most cases only 40-ish. If your intention is to make a CD of the record, then I posit that the downconversion from say 24/96 to 16/44.1 will introduce more errors than not having to convert at all, without adding much if anything to the sound quality of the finished result. I only record at higher than 16 bit/44.1K (the normal CD rate) if the customer would request it. I will be a contrarian to some others in one aspect though, unrelated to the noise reduction, which is the sample rate/bit depth. It's surprisingly easy to hear when the music is being affected vs. The previous suggestion to use the monitoring option that allows you to hear just the content being removed is an excellent one- that's what I do when in doubt. I run most of the time at 20 to 30, as many of the records I clean up for customers are very noisy and it gets easy to clip out music along with the noise at higher settings. The default click/pop removal setting of 50 works best on records that are in fairly decent shape, with only occasional noises, but the more noise there is, the lower the setting needs to be.
#Denoise clickrepair software#
I'm a big fan of Click Repair, but like any software for noise removal it needs to be used judiciously.